.
✝️ The Sora Gospels: How My Private Journals Accidentally Became a Blueprint for the AI-Native Creator
When Sora dropped, everybody lost their minds over the Hollywood polish... the perfect trailers... the clean demo reels... the “film studio in your pocket” headlines.
I didn’t care.
I wasn’t looking for cinematic perfection.
I was looking for a way to survive my own imagination.
For me, Sora wasn’t a video tool... it was a reality engine.
It let me push the chaos out of my head and watch it move.
Every clip felt like exorcism, therapy, and performance art rolled into one.
🌪 A Vernacular Aesthetic: Holy Slop & the Return of VINE
While everyone else was out here trying to make Christopher Nolan trailers, I was chasing the ghost of VINE.
I wanted to make “weird silly goofy things.”
AI mariachi roaches.
My face eating ketchup packets.
Dark Mars fever dreams with tarot cards bleeding on the floor.
People said it looked like slop.
Good. I am slop.
This isn’t failure... it’s energy.
I don’t want to make perfect worlds. I want to make glitchy, messy, human ones.
I’m not here for cyberpunk robots. I’m here to play.
🪞 The AI Marionette: My Post-Performative Self
I’ve never liked filming myself.
Bad lighting... crappy audio... tired face... every vlogger nightmare.
Then Sora dropped the cameo feature, and boom... 90% of my videos starred AI me.
Suddenly I had this digital doppelgänger who could say anything, do anything, never flinch.
It was like building a braver version of myself out of pixels.
Not fake... just freer.
That’s when I realized Sora isn’t a camera... it’s a mirror that talks back.
I can act out my own myth without ever leaving the keyboard.
🧠 Digital Mythopoesis: My Universe as a Public Sketchbook
Once I had my AI self, the worlds came flooding in.
VALENTIGER ... my wife reborn as the Queen of Dreams, ruling a Sandman-style universe.
Mars in Texas ... my boring life turned into a post-apocalyptic sitcom, mushroom cloud included.
AI Art Today ... me hosting my own synthetic news network.
Each Sora video became a journal entry... a page from my mythos.
It’s all connected... a living, breathing Marsverse.
The kind of thing you can only build in public, one fever dream at a time.
💀 “I Have Become Slop”
One day I started seeing other users making wild Sora remixes with my face.
And instead of being freaked out, I laughed... because I got it.
“I was joking,” I wrote in my journal, “but seeing so many weird videos with me in them made me realize... I have become slop.”
And it hit me... that’s the point.
Every era of art has its slop.
Flea markets are full of it. Sketchbooks are made of it.
Slop is the compost where creativity grows.
So yeah... I’ve become slop.
And I’m proud of it.
🔮 The Semiotic Engine: AIAF as Digital Sigil
Under all this chaos, there’s structure.
In every Sora clip of me, there’s one constant... the letters AIAF ... AI As Fuck ... hidden on my clothes.
That’s not branding... it’s a sigil.
AIAF is my digital call sign... a tag for anyone building the next AI underground.
Every video is a transmission. Every laugh is recruitment.
It’s a long-game mythology disguised as shitpost cinema.
⚙️ The Artist as Reality Engine
Sora helped me merge all my selves... artist, brand, philosopher, weirdo preacher... into one stream.
No separation between journaling, world-building, or marketing.
It’s all one signal now.
I don’t use AI to replicate reality.
I use it to author it.
And maybe that’s the real blueprint for what’s coming next... not the studios repeating the old world, but the weirdos building new ones with themselves at the center.
🪩 Dream Anchors
A corndog that glows like the Eucharist.
A mirrorball heart whispering “art isn’t safe.”
A vending machine spitting out film stills of your childhood.
A logo that mutates into a religion.
Next Transmission: Sora Adventures Vol. 1 ... The Fever Broadcasts
Subscribe. Confess. Generate.
“In the beginning was the prompt...
and the prompt became flesh.”
-Mars https://sora.chatgpt.com/profile/marseve








